[No: VIII | By Viveka Hansen]
To place one’s initials etc on possessions or produced goods, is a tradition which stretches back through Nordic heritage, including many woven interior textiles for the home and the young woman’s dowry. Other details of importance for double interlocked tapestries or “rölakan” – were decorative tassels or ribbons placed in the corners of the cushions – a technique that was practiced in many parts of Scandinavia during the 18th and 19th centuries. The aim with this “Textile Thought” is to briefly depict and discuss some decorative as well as practical details from these beautiful textiles!
Amongst the documented double interlocked tapestries – from a research of circa 1600 examples – it can be stated that barely 20% of the textiles have said markings. These are positioned in a variety of ways; on an empty bottom surface alongside other smaller motifs, with replacing the motif with markings, in the borders or within a star pattern. The markings are comprised of dates, names, places of birth etc. These signatures were normally added during the weaving process, but also embroidered markings were used. It is worth to note that certain patterns, especially complex and compact weaves had in turn a much higher percentage of markings. Examples being “Bäckahäst” (a water spirit in popular belief) within an eight-sided frame 84%, “Skyttsstjärnan” (star from Skytts district) 83%, bedcover with deer and tree within an eight-sided frame 64% and horseman 60%.
For cushions placed on chairs, benches and carts, a backing material with filling was needed to be placed between these two cloths to make the cushion as comfortable and warm as possible. Bedcovers were however for the most part not stuffed. The backing of the textile was normally more coarse and simpler in contrast to the decorative front which was on show.
Several techniques and materials are represented but the most common being a weft ribbed fabric into borders, followed by rosepath and other weaving techniques typical for respective areas or leather. My studies at museums and homestead museums showed that few cushions (less than 10%) still retain their padding, dominated by feathers, straw, reeds, horsehair and grass or other easily acquired materials.
Tassels and ribbons which decorate the corners of cushions in all sizes were very common, whilst bedcovers lacked this decoration. The corner tassels had more than a decorative reason, as they had a strengthening effect on the pillows weakest point. Ribbons, tassels, fringes, balls, lace, etc. All served these two important purposes; to make the cushion aesthetically pleasing and durable.
[SOURCE: Hansen, Viveka, Textila Kuber och Blixtar – Rölakanets Konst och Kulturhistoria, pp. 10-73, 1992.]
PLEASE REFERENCE AS FOLLOWS:
- Hansen, Viveka, ‘The Importance of the Details – Ownership’, TEXTILIS (September 28, 2013); http://textilis.net/ (Accessed: Day/Month/Year)