[No: LXXXIII | August 18, 2017 | By Viveka Hansen]
Writing tables, unpainted kitchen work surfaces, gate-legged, dining and gambling tables together with sculptured and gilded models for decoration etc. Just as today, tables were used for the most varied purposes during the 18th century. In this second study based on one of my earlier book projects – about an Inventory at a manor house in southernmost Sweden – tables will be in focus. However, worktables used for embroidery or other handicraft were not mentioned. This is unexpected when the 1758 inventory was written in such minute detail, and contemporary as well as somewhat later estate inventories from the Piper family’s other manor houses listed sewing-tables of various models.
In 1758 it was the count and tenant in tail Carl Fredrik Piper (1700-1770) and his wife Ulrika Christina Mörner of Morlanda (1709–1778) who lived at Christinehof manor house. This house was first and foremost used by the family and visiting friends during the summer and early autumn months. The couple had five children, whereof two grown-up daughters and three sons (11-26 years old). The youngest daughter – Christina Charlotta (1734-1800) – was widowed since 1756 with children, so it was probably only the mother and the unmarried daughter Ulrika Fredrika (1732-1791) who might have been embroidering at the summer residence. To what extent is unknown. The lack of sewing-tables etc in the inventory, may point to that other activities were preferred during the warm season, or that both women were not keen on handicraft or that other tables or portable work-boxes were in use. Furthermore only one quilted bedcover was listed in the Young Lady’s Chamber from the rich selection of textiles in various rooms in the grand house. (Together with marked linen, probably stitched by the housekeeper or other female servants). Contemporary or later (1754-1803) inventory lists or estate inventories studied from the same archive – all include a number of either embroidered furnishing textiles, sewing-tables or other tools that were useful for textile handicraft.
However, one proof to that the lady of the house Ulrika Christina embroidered can be traced in a contemporary letter from the oldest son Carl Gustaf, addressed to his father Carl Fredrik Piper. The 21-year old son was situated in Stockholm at this time, as he since 1757 worked as chamberlain for king Adolf Fredrik. He wrote: ‘My hope is that dear mother was satisfied with the yarn, at least Jana says that there is no better to be found, and that it after washing will be rose-red, even if it now looks dark. She names it Turkish yarn.’ Embroidery was furthermore often inspired by pattern-books which had been in continuous prints on the Continent since the 16th century. The inventory lists no such books or no books at all, which suggests that books were regarded as personal belongings like clothing and therefore not included in an inventory of a manor house.
A few examples of tables and the use of table linen may give an idea of the rich variation of this piece of furniture. The ‘dining-tables’ were ‘quadrangular’ (3) and ‘half round’ (2), all placed in the Hall on the first floor where the family probably had most of their meals. These tables were also mentioned as brownish painted and foldable, so there were no need for any decorations or finer woods, whilst these tables were covered with linen cloths when in use. Linen woven in damask and damask diaper techniques were also listed in the inventory.
A model that seems to have been more noticeable was the ‘tea-table’ (2) which were placed in the Countess’ Drawing-room and the First Drawing-room on the first floor. One example was mentioned as ‘round’ whilst the other was ‘blue lacquered’, furthermore one of the many additional notes in the inventory reveals that a ‘red table’ had been taken to Christinehof manor house in 1768, probably also a lacquered model. This type of coating with a lacquer was popular in wealthy homes during most of the 18th century, if the tables at Christinehof were of East Indian origin or maybe Dutch, English or Swedish-made were not mentioned in the inventory. However it was possible to buy lacquered furnitures in Stockholm, among others at ‘The East Indian China Shop’ (Ostindiska porslinsboden), ‘Grevemühl’s furniture shop’ (Grevemühls möbelbod) and furthermore decorators produced lacquered works in East India style or similar for the growing consumer society. Other tables which demonstrated the family’s high standard of living were a number of writing desks, secretaires, small decorative pedestals and gambling-tables. Two examples of the last mentioned, were placed in the Countess’ Drawing-room listed as ‘1 square-shaped gamble-table to fold of walnut tree with green broadcloth within and the other ditto backgammon table of walnut tree lined with green broadcloth, gotten from Stockholm’. With other words from the Palace, known as the “Petersenska huset” [Petersen’s house] on Kungsholmen in Stockholm, a house owned by the Piper Family since 1692.
Quotes translated from Swedish to English.
Previous post in this series:
– The Daily Life at a Manor House in 1758 – An Introduction.
– Hansen, Viveka, Inventariüm uppå meübler och allehanda hüüsgeråd sid Christinehofs Herregård upprättade åhr 1758, 2004. (pp. 11-14 & 38-57. A large number of primary and secondary sources were studied for this book. For full Bibliography; see this book.) The book in Swedish is available here.
– Hansen, Viveka, Katalog över Högestads & Christinehofs Fideikommiss, Historiska Arkiv (Piperska Handlingar No. 3), London & Christinehof 2016. [English Summary & Captions]
– Historical Archive of Högestad and Christinehof, (Piper Family archive, no D/Ia).
– Nylén, Anna-Maja, Hemslöjd, Lund 1969, pp 202-272/embroidery. [English edition: Swedish Handicraft, 1976]
PLEASE REFERENCE AS FOLLOWS:
– Hansen, Viveka, ‘Social Life, Tables & Embroidery – At a Manor House in 1758’, TEXTILIS (August 18, 2017); https://textilis.net/ (Accessed: Day/Month/Year)